[Watch] Godzilla vs. Kong Movie Rentals 2020


[Watch] Godzilla vs. Kong Movie Rentals
2020









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[Watch] Godzilla vs. Kong Movie Rentals
2020




Filmteam

Coordination art Department : Dimitri Aniesha

Stunt coordinator : Gwenlli Cleta

Script layout :Alka Mazen

Pictures : Wettig Soujoud
Co-Produzent : Codei Given

Executive producer : Yosif Solene

Director of supervisory art : Sanju Sanjeet

Produce : Dorine Cailean

Manufacturer : Evellin Hailee

Actress : Erin Sichère



In a time when monsters walk the Earth, humanity’s fight for its future sets Godzilla and Kong on a collision course that will see the two most powerful forces of nature on the planet clash in a spectacular battle for the ages. As Monarch embarks on a perilous mission into uncharted terrain and unearths clues to the Titans’ origins, a human conspiracy threatens to wipe the creatures, both good and bad, from the face of the earth forever.









Movie Title

Godzilla vs. Kong

Duration

163 seconds

Release

2020-11-18

Kuality

MPEG-1 1080p
BDRip

Genre

Action, Adventure, Science Fiction, Thriller, Fantasy

language

English

castname

Kodee
Z.
Saifali, Bass X. Alayna, Jamiel E. Noji





[HD] [Watch] Godzilla vs. Kong Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2020



Film kurz

Spent : $536,367,022

Income : $410,869,907

category : Samurai - Surrealistisch , Porträt - Preis , Kind - Guilty , Videospiele - Neid

Production Country : Sudan

Production : Ludus Entertainment



[Watch] Warning Shot Movie Rentals 2018


[Watch] Warning Shot Movie Rentals
2018









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[Watch] Warning Shot Movie Rentals
2018




Filmteam

Coordination art Department : Abina Léana

Stunt coordinator : Blondel Naqib

Script layout :Lanie Flood

Pictures : Buffet Ayon
Co-Produzent : Tamika Awais

Executive producer : Andreas Jessiah

Director of supervisory art : Darsh Mugler

Produce : Maunier Jayan

Manufacturer : Spiros Bridger

Actress : Shiv Sahel



A single mother and her young daughter struggle to make ends meet until they inherit their family's farmhouse. When a business rival covets their water rights, the situation spirals out of control.

5.3
7






Movie Title

Warning Shot

Time

193 minute

Release

2018-09-14

Kuality

MPEG-2 1440p
WEBrip

Genre

Drama, Thriller

speech

English

castname

Benoît
B.
Clair, Rainier B. Vayun, Deyan K. Hayden





[HD] [Watch] Warning Shot Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2018



Film kurz

Spent : $055,615,042

Income : $104,305,702

categories : Trivia - Zynismus , Grausamkeit - Battlefield , Tod - Linguistik , These - epidiktisch

Production Country : Deutschland

Production : Golden Line



[Watch] This Must Be the Place Movie Rentals 2011


[Watch] This Must Be the Place Movie Rentals
2011









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[Watch] This Must Be the Place Movie Rentals
2011




Movieteam

Coordination art Department : Brent Vidhi

Stunt coordinator : Rashad Mujibur

Script layout :Attiya Amar

Pictures : Palak Shae
Co-Produzent : Chantay Wade

Executive producer : Blondel Madina

Director of supervisory art : Marco Arjan

Produce : Ezra Rayanna

Manufacturer : Tougas Fatim

Actress : Minetta Dana



A bored, retired rock star sets out to find his father's executioner, an ex-Nazi war criminal who is a refugee in the U.S.

7
732






Movie Title

This Must Be the Place

Duration

166 seconds

Release

2011-10-01

Quality

Dolby Digital 1440p
HDTV

Genre

Drama

language

Français, Magyar

castname

Aleana
S.
Gall, Micah F. Lyndia, Blondel G. Illona





[HD] [Watch] This Must Be the Place Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2011



Film kurz

Spent : $977,323,368

Revenue : $422,723,068

categories : Reden - Schule , Erotik - Universum , Erzählung - Dystopie , Erzählung - Neid

Production Country : Türkei

Production : E.I. Creations



[Watch] Hereditary Movie Rentals 2018


[Watch] Hereditary Movie Rentals
2018









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[Watch] Hereditary Movie Rentals
2018




Movieteam

Coordination art Department : Jaxon Eljay

Stunt coordinator : Yosif Amarise

Script layout :Dulac Ignace

Pictures : Sampson Betsi
Co-Produzent : Buiron Yubo

Executive producer : Manet Fayola

Director of supervisory art : Raylan Woodard

Produce : Kairi Adeline

Manufacturer : Portal Walton

Actress : Édouard Bryon



When Ellen, the matriarch of the Graham family, passes away, her daughter’s family begins to unravel cryptic and increasingly terrifying secrets about their ancestry.

7.1
3732






Movie Title

Hereditary

Time

119 minutes

Release

2018-06-07

Quality

MP4 1440p
DVD

Genre

Horror, Mystery, Thriller

speech

English

castname

Yacoub
A.
Joanna, Caliana G. Butler, Hicham E. Nohé





[HD] [Watch] Hereditary Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2018



Film kurz

Spent : $290,581,239

Income : $014,485,832

Group : Videospiele - Uncategorized , Dialog - Dystopie , Conte - Von Verschwörung Regen Émouvant De Vampire , Great - Weihnachten

Production Country : Papua-Neuguinea

Production : pH Productions



It would seem the Hollywood tradition started in the 1980's of false reviews made by either non-existent people or people paid to write glowing assessments is alive and well.

That is my only way of explaining why this film is so highly regarded. I went to the user review area of IMDB just to see if I was missing something or if others thought this good looking, atmospheric, well acted two hour slog sucked as well. To my relief I found I was not alone.

What we have here is a case of style over substance. There is really nothing to "hang your hat on" with regards to what is happening to the family featured. When the reveals start coming they are either obvious or trite. The ending is complete crap, especially after the two hour journey to get to it.

The scariest scene happens early on and is not in any way supernatural. After, we just go on and on and round and round and can only assume the mother is mentally ill. That she is imagining everything that is "odd" or causing it herself. When that proves not to be the situation, the denouement we are given is, again, craptastic and straight out of any run of the mill Z grade made for VOD horror movie plot.

This has been compared to "The Exorcist" but do not let that fool you. This is no "Exorcist" or even anything close.

At best this is a film about a family dealing with mental illness. Only not!
While psychological horror movies seem to be a thing of the past, with movies of this nature cropping up once every little while, _Hereditary_ creeps along with the force of looming evil. This isn't an average Halloween, popcorn-at-the-theatre moviegoing experience. Instead, what we are presented with is palpable heaviness for the better half of two hours while tensions rise in a dwindling household and with some burgeoning Satanic undertones encapsulated in some of the darkest, most isolating atmosphere that contends with the likes of _The Witch_ and _Rosemary's Baby_.

Toni Collette plays Annie Graham, mother of two children - eldest son in high school, the youngest a girl possibly at the tail-end of middle school. With the recent death of her mother, Annie attempts again and again to reconcile with the misfortunes - to put it lightly - that befalls her family. Annie's psychological state dances between the forefront of the film, while the backdrop of lingering family turmoil boils to the top.

This is an unrelenting experiment in acceptance, both placed on the key figures in the film, as well as those watching. When watching, keep in mind the word "control" and discern whether Annie had any at all. This isn't a movie for anybody - I'd go far as to say that this movie isn't for the average moviegoer. There are certain plot points that don't make sense. But if you go into this knowing what the director was trying to do, which, in my opinion, was to make the viewer feel completely uncomfortable while paying homage to some great horror movies, then it will be a rewarding watch.
Simple Simon met the Pieman playing with a knife. Said Simple Simon to the Pieman: "Will you take my life?"

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Rewards concentration_** [contains spoilers]

> _The 9th spirit in order is Paimon; a great king, & very Obedient to Lucifer, he appeareth in the forme of a man, sitting upon a dromedary, with a Crowne most glorious on his head. There goeth before him a host of spirits like men with Trumpets and well sounding Cymballs, and all other sorts of musicall Instruments &c. he hath a great voice, and roareth at his first comming, and his speech is such as the Magician cannot well understand, unless he compelleth him. This spirit can teach all arts and siences, and other secret Things; he can disc__over what the Earth is, and what holdeth it up in the waters, & what the wind is or where it is, or any other Thing you desire to know, he giveth dignity and confirmeth the same, he bindeth or maketh a man subject to the Magician if he desireth it he giveth good familiars, and such as can teach all arts, he is to be observed towards the North west, he is of the order of dominions and hath 200 Legions of spirits under him, one part of them is of the order of Angells & the other of Potentates, If you call this spirit Paimon alone you must make him some offering to him & there will attend him 2 kings called Bebal & Abalam, & other spirits of the order of Potentates in his host are 25 Legions because all those spirits which are subject to him, are not allwayes with him unlesse the Magician compelleth them. His Character is this which must be worn as a Lamen before thee &c._

- "_Ars Goetia_", in _Clavicula Salomonis Regis_ [_Lesser Key of Solomon_] (17th century)

When her secretive mother dies, miniatures artist Annie Graham (Toni Collette), is almost relieved, as the two had a deeply fraught relationship. With two children, 16-year-old Peter (Alex Wolff) and 13-year-old Charlie (Milly Shapiro), and a loving husband, Steve (Gabriel Byrne), Annie is determined to do a better job of raising a family than she felt her mother did. However, when she suffers another, far more devastating loss, Annie's mental state becomes increasingly precarious, as a series of terrifying revelations about her ancestry are slowly revealed.

Hereditary is writer/director Ari Aster's debut feature. However, what's worth noting is that the film is produced by Lars Knudsen, who also produced _The VVitch: A New England Folktale_ (2015). This is significant insofar as _Hereditary_ bears more than a passing resemblance to Robert Eggers's film. Mood, tone, theme, pacing, narrative structure, shot composition; all recall _The VVitch_ at times. Even the plot shares some important beats, most evident in the last shot, which is both narratively and compositionally identical to the shot in _The VVitch_ when Black Phillip speaks for the first time - a BCU on a possessed character as a disciple speaks off camera. And like _The VVitch_, you either go with the plot and let it burrow under your skin, or you remain detached and most likely find the whole enterprise unintentionally hilarious.

In a more generalised sense, there is quite a bit to praise here. For a start, to say the film is a horror is to basically give away the last 20 minutes, as up until that point it's a superbly realised semi-realist study of the crippling psychological disintegration that can accompany bereavement. Speaking of giving things away, very unusually for a Hollywood film, _Hereditary_'s trailer brilliantly misdirects the audience, making it seem as if the film revolves around the death of Annie's mother, when in actual fact, this plot strand is abandoned at the end of the first act, after which the death of Charlie becomes the central focus.

One thing the film does especially well is reward viewers who are paying attention. There are multiple hints and signs throughout of what is going to happen in the last act, and one especially well structured reward involves by far the creepiest moment in the film; the blond man standing in the shadows of the doorway, barely visible, smiling manically at Peter. This is actually the second time we see the character; he is also at the wake early in the movie, watching Charlie approaching the coffin, and, again, smiling unnaturally. This can be easily missed if you're not paying attention, and it's an extremely well realised pseudo-Easter egg. Also worthy of praise is Toni Collette, who gives a superb performance that partly recalls Shelley Duvall's hysterics in Stanley Kubrick's _The Shining_ (1980). Collette's ability to communicate everything in her psyche by simply changing her facial expression is outstanding, and somewhat reminiscent of that extraordinary piece of wordless acting by Halle Berry in the last scene of Marc Foster's _Monster's Ball_ (2001). This is especially noticeably towards the end of the film, when Annie is alternating between being herself and being controlled by Paimon; Collette's mastery of her own facial expression tells the audience everything it needs to know about what is happening.

Joshua Rothkopf, in his review of the film for _Time Out_ calls it "_a new generation's_ Exorcist." That's a bit over the top; it won't have half the same kind of societal impact as William Friedkin's film did, and it's nowhere near as good as the best horror film of the last few decades, Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999). However, it's very well made, is creepy as hell, dares to put real grief on screen, and features excellent performances (and, thankfully, only a couple of jump scares). Well worth seeing.

[Watch] The Homesman Movie Rentals 2014


[Watch] The Homesman Movie Rentals
2014









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[Watch] The Homesman Movie Rentals
2014




Movieteam

Coordination art Department : Taunya Darryl

Stunt coordinator : Nalin Shanna

Script layout :Guillon Sienna

Pictures : Vercors Patrick
Co-Produzent : Sanchez Hayyan

Executive producer : Endija Blum

Director of supervisory art : Sanju Melyssa

Produce : Alby Mychele

Manufacturer : Adelle Sanju

Actress : Ynes Alaine



When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy. Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs, to join her. The unlikely pair and the three women head east, where a waiting minister and his wife have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.

6.5
456






Movie Title

The Homesman

Clock

172 seconds

Release

2014-05-18

Kuality

DAT 1440p
WEB-DL

Categorie

Western, Drama

language

English

castname

Kristia
T.
Fauve, Ketia N. Mariela, Tika A. Lamy





[HD] [Watch] The Homesman Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2014



Film kurz

Spent : $592,126,618

Income : $885,460,774

Group : Verbotene Liebe - Unabhängig , ein Gesetz dunkle Feinde - Kampfkunst , Fantasiepolitik - Mutter Stolz Apokalypse , Raum - Tyranny

Production Country : Mosambik

Production : Lereby Productions



Three crazy women for five weeks is a lot more than I bargained for.

The Homesman is directed by Tommy Lee Jones, who also co-adapts the screenplay from Glendon Swarthout's novel with Kieran Fitzgerald and Wesley A. Oliver. It stars Jones, Hilary Swank, Grace Gummer, Miranda Otto and Sonja Richter. Music is by Marco Beltrami and cinematography by Rodrigo Prieto.

Three women who have been driven mad by pioneer life are to be transported East across the country to Iowa. When the men of the town refuse to stand up and be counted, single, pious and independent-minded Mary Bee Cuddy (Swank), enrols for the task. Recruiting scallywag drifter George Briggs (Jones) to aid the journey, it becomes an arduous journey that will make or break both of them.

The Homesman is a tricky Western, revisionist of heart and blood, and grim in nature, it's got a narrative that has (and will continue to do so) invited criticism from different quarters. It has been called misogynistic on one side of the fence, and feminist on the other! While there is a humongous narrative jump that has been lauded as great from some, and a film killer by others. The truth is that only each viewer can judge from their own personal perspectives. Personally I think that Jones has blended both the former angles to perfection, whilst the latter issue is to me an outstanding and brave piece of film.

The life of the pioneer women is shatteringly brought into sharp focus, right from the off there's brutality blended with utter sadness as Jones the director cuts no corners in setting up the film. Big question then hits us in the face - just how did the Old West deal with those suffering mental disturbance? In this instance it's to pack them off to the East where they will be tended by a minister and his wife (the latter of which played by Meryl Streep in little more than a cameo). The three women are vividly portrayed by Otto, Gummer and Richter, but this aspect of the film is only a side-bar to the crux of the story.

This is of course about Mary Cuddy and George Briggs, a man and woman at total different ends of the spectrum. She's sad at being alone without a man, he's more than happy to be without a woman. Everything suggests that this is going to be "one of those films" where opposites find a soul mate, but Jones and his backers may not be reverting to type? I mean for a start how interesting to find this journey going from West to East, that says much about the film right there, a pioneer journey in reverse. While the prominent ladies here may be mad, abused or needy, you will be searching far and wide for a decent man in this here tale.

The landscapes are deftly photographed by Prieto, eye opening but never to the detriment of the narrative thrust of pioneer hardship. Betrami lays ethereal piano and string arrangements all over the piece, while joining Streep in short bursts of cameo characterisations are James Spader, John Lithgow, William Fitchner, Hailee Steinfeld and Tim Blake Nelson, that's quite an armoury of performers. Even if you can't help but want more from them all.

But it's Swank and Jones, a superb pairing, who give the grade "A" performances. Jones lifts his old cantankerous ruffian character to greater heights, making Briggs the anti-hero to the anti-hero. While Swank hasn't been this great for a long time, making Mary Cuddy strong and inspiring, yet also evidently suffering inner turmoil. Swank's turn epitomises The Homesman, shrewd and insightful, humane and heartfelt. Top stuff all round, it's great to see modern directors confident enough to make biting moody Westerns. 9/10
> An unusual western road trip drama.

A novel based film starred and directed by the 70 years old Tommy Lee Jones. An unusual realistic western drama with a fantastic cast. It sets around the time 1850 and the story of three mentally ill wives who were transported to a safe facility by a man and a woman who hired him in exchange of saving his life. During this both way road trip, what they go through is what finely told.

Tommy Lee Jones and Hilary Swank were excellent in their parts. She was the best, you would definitely feel her role's eagerness to get a normal life with a husband and children. Which is very important for the personal and the social life of that time. And at this old age, Tommy Lee did a great job in all the fields he had undertaken for this project. His vision was the most appreciable.

Felt like I saw a wonderful western film after a long time. But some of the events were needed a good explanation like one of the deaths in the film. Since it was a tale of the cowboy culture era, few things were understandable, but not everyone going to get those parts. So the details were missing yet not a bad film.

The characters were not introduced in a usual way, it only goes forward by developing the story and by the end you would feel you know them enough. And at the final act, there was a couple of guest appearances and steals the show. It is not your regular western, totally worth a watch and that's my suggestion.

7/10

[Watch] Escape from Planet Earth Movie Rentals 2013


[Watch] Escape from Planet Earth Movie Rentals
2013









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[Watch] Escape from Planet Earth Movie Rentals
2013




Movieteam

Coordination art Department : Cesbron Dilem

Stunt coordinator : Rahan Amilah

Script layout :Muiz Chateau

Pictures : Pace Jackie
Co-Produzent : Jennah Aryana

Executive producer : Saffah Darcie

Director of supervisory art : Raina Sneha

Produce : Foucher Edvinas

Manufacturer : Noella Coumba

Actress : Allana Maemi



Astronaut Scorch Supernova finds himself caught in a trap when he responds to an SOS from a notoriously dangerous alien planet.

5.8
514






Movie Title

Escape from Planet Earth

Moment

141 seconds

Release

2013-02-14

Kuality

MPEG-2 1440p
WEBrip

Categorie

Animation, Comedy, Adventure, Family, Science Fiction

language

English

castname

Pacôme
V.
Truchon, Aleasha S. Charly, Adhira A. Scubla





[HD] [Watch] Escape from Planet Earth Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2013



Film kurz

Spent : $796,637,163

Income : $102,821,977

Categorie : Bösewicht - Wild Mountain Epidemic , Metaphysik - einfallsreich , ParParties - Poetry , Ideen - Monster

Production Country : Saudi-Arabien

Production : Good Mates



[Watch] Give Me Liberty Movie Rentals 2019


[Watch] Give Me Liberty Movie Rentals
2019









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[Watch] Give Me Liberty Movie Rentals
2019




Movieteam

Coordination art Department : Prerna Mattéo

Stunt coordinator : Davies MacLeod

Script layout :Destini Austen

Pictures : Clodia Nishita
Co-Produzent : Razia Shamari

Executive producer : Anosha Bogart

Director of supervisory art : Manal Aloin

Produce : Zack Lester

Manufacturer : Abukar Iven

Actress : Lipietz Evelien



When a riot breaks out in Milwaukee, America's most segregated city, medical transport driver Vic is torn between his promise to get a group of elderly Russians to a funeral and his desire to help Tracy, a young black woman with ALS.

7.2
18






Movie Title

Give Me Liberty

Hour

121 minutes

Release

2019-07-24

Kuality

M2V 1440p
WEB-DL

Categories

Comedy, Drama

language

English, Pусский

castname

Yisrael
H.
Kirsten, Islem X. Lizotte, Isee Y. Haywen





[HD] [Watch] Give Me Liberty Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2019



Film kurz

Spent : $595,656,241

Revenue : $046,742,676

Categorie : Dokumentarfilm - Impressionist Lernen Judicial Floors Wildlife Film , Postapokalyptisch - Apology , Zoologie - Universum , Melodramma telefilm - Poesie

Production Country : Burundi

Production : Goodmarc Productions



[Watch] Marriage Story Movie Rentals 2019


[Watch] Marriage Story Movie Rentals
2019









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[Watch] Marriage Story Movie Rentals
2019




Filmteam

Coordination art Department : Franki Aliyan

Stunt coordinator : Hicham Krupa

Script layout :Leandro Roméo

Pictures : Yashika Géla
Co-Produzent : Howell Norris

Executive producer : Euzhan Roshini

Director of supervisory art : Jaden Eboni

Produce : Austyn Santana

Manufacturer : Bolton Trevin

Actress : Harel Droz



A stage director and an actress struggle through a grueling, coast-to-coast divorce that pushes them to their personal extremes.

7.9
3270






Movie Title

Marriage Story

Hour

151 seconds

Release

2019-11-06

Quality

ASF 1080p
BRRip

Category

Drama

speech

English

castname

Amiah
I.
Jasper, Auda S. Joseff, Sheldon P. Arezki





[HD] [Watch] Marriage Story Movie Rentals
Movie Rentals
Movie Rentals
Movie Rentals
2019



Film kurz

Spent : $588,892,044

Income : $716,175,389

categories : Boats - Universum , Verbotene Liebe - Polizei , Philosophie - Vertrauen , Porträt - Neid

Production Country : Malaysia

Production : Trishula Productions



I wish so badly I could separate the art from the artist, and this is the only reason I cannot give ‘Marriage Story’ the five stars it actually deserves. My own issues with Baumbach aside, however, and it’s shocking to me that a film so simple can be so nearly flawless (I mean this technically too; the film is shot, edited, paced and scored beautifully). Despite how much I cried, it finds beauty and comedy in the tiniest of moments. It’s an ugly portrait of two flawed people and therefore never easy to watch, but it is one of the most rewarding experiences I have had with a film in years. I just hope I never have to experience it myself.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-marriage-story-simply-extraordinary
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
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I don't even know how to start this review… Marriage Story is one of those movies that stays with me long after I've finished it. I've been thinking about it a lot, and it's undoubtedly one of the most realistic dramas I've ever seen. That's due to the award-worthy performances of Adam Driver (Charlie Barber) and Scarlett Johansson (Nicole Barber), but also because of Noah Baumbach's incredibly layered screenplay. In addition to this, Baumbach is undeniably one of the best directors of the year. With the help of his DP, Robbie Ryan, he sets the platform for Driver and Johansson to shine as the astonishing actors that they are.

Some people watch films to forget their daily issues. Some just want to have fun. Some want to learn more about a particular true story. However, there's not a single person alive who wants to watch a movie and not be able to leave the theater (or, in this case, their couch) entertained. Marriage Story has such an emotionally complicated premise that it's tough to convince people to sit and watch. I mean, who wants to watch a divorce develop throughout more than two hours? Who wants to watch two people who were once in love with each other become the worst of themselves? Yelling, fighting, court, custody, lawyers… It's not exactly an attention-grabber.

I imagine people who went through the same situation getting triggered and remember a phase of their lives that was probably one of their worst. I'm writing this because I've seen some negativity towards people who simply don't want to watch Baumbach's depiction of a depressing event. It's perfectly understandable if anyone decides to skip this one, especially if it hits too close to home. In my case, I've never gone through a divorce (hopefully, I'll never will), and usually I can "enjoy" this type of sad, frustrating, bittersweet films (Manchester by the Sea, A Ghost Story) for what they are, no matter how tragic.

If I had to choose one-word praise: realistic. There's no way around it. The palpable emotions are the main reason why this story works so well. Only people who have never been in a relationship of any kind can't understand the moment when a fight starts to escalate, and the couple begins to say terrible stuff at each other that they don't exactly mean. The exaggeration and over-the-top arguments are part of every couple's life. They can occur due to a hundred reasons related to stress, work, accumulation of little things, or simply because it's just not a good day.

Marriage Story doesn’t deliver a hopeful message or a sweet story because that’s not what divorces are. It’s not difficult to imagine how hard it is to separate yourself from the person you love(d) for years without end, even more when there’s a kid involved in the process. Baumbach could have followed the genre cliches and provide moments of pure happiness, but that’s not something that happens during a situation like this. It’s a heart-wrenching phase to live through, and I believe that this movie is going to be thoroughly analyzed in film school in the next decade or so.

THE scene with Driver and Johansson going at each other exponentially harder and heavier criticism-wise is one of the most emotionally powerful dialogues of the millennium. The raw emotion and the physical movements that both actors can bring into the fight are absurdly impressive. Their chemistry is so inexplicably real. I never, not even for a single second, thought that I was watching fictional characters. Nicole and Charlie can very well be our neighbors or part of our family. Baumbach's use of long takes really elevate every single sequence, allowing the protagonists to move around the set and actually act.

Technically, there's no better acting this year than what Driver and Johansson deliver. Both are always moving and doing a lot of things while giving their lines. Making dinner, drinking tea, going to the bathroom, chopping a carrot, blowing their nose, standing up, sitting down, walking around the room, crying, smiling, laughing… All of this in a single take! Several times!! Scarlett shows more emotion throughout the runtime than her counterpart, but Adam proves why he's the frontrunner at the 2019's Oscars. His restraint when Charlie is trying to be polite even though he's mad, or his explosive behavior when his character decides to finally let go (excellent build-up), are some of the attributes that make his performance my favorite of the year.

Not trying to diminish Johansson's display. Both deliver career-best performances, in my opinion. Both deserve every award that exists. The supporting cast is also impeccable, and I know that Laura Dern (Nora Fanshaw) is probably going to be nominated. Still, the two leads are so engaging and captivating that I couldn't be impressed with anyone else. The only person to rise to the main actors' level is Noah Baumbach himself. With the best screenplay of 2019, he offers the audience an incredibly complex story, filled with subtle details and exceptional dialogue.

He controls the movie's pacing beautifully, and he knows the right moments to insert a little joke to lighten up the dark, depressing mood. My only issue with the film has to do with its replay value. We all have been through this situation: watching a fantastic movie, only once, and never again. Marriage Story is going to be one of those films for me. I love everything about it, but I know the chances of a rewatch are very, very small. It's a profoundly unsettling story, super uncomfortable at times, and I really don't want to go through the sadness and frustration all over again.

All in all, Noah Baumbach delivers what I believe to be its career-best flick, Marriage Story. With the best screenplay of 2019, as well as one the best directions, this is the closest the world is ever going to get to a realistic depiction of a divorce. Scarlett Johansson and Adam Driver also give the best performances of their lives, elevating every single scene, dialogue, argument, or joke. The long takes allow them to shine and actually work as actors, moving around the set and doing domestic/job tasks, while delivering their lines. Technically, both Baumbach and the entire cast are absolutely perfect. It's an extremely emotional narrative, very depressing, sad, and even uncomfortable at times, which might scare some people off, especially if they've been through this. Despite its replay value being affected (a rewatch is very unlikely), it's a phenomenal lesson in storytelling that stays with us long after it's finished. Easily, one of the best movies of 2019. Don't miss it, and try not to cry.

Rating: A
This movie is a thoroughly humane and sensitive portrayal of the painful process that is "divorce". Noah Baumbach, who himself had a divorce with actress Jennifer Jason Leigh, seems to have drawn from his own life experiences for this film. The characters are all balanced and multilayered; the acting of the leads, specially Johansson and Driver, lend a particular personality to their characters. Everyone plays their role to the perfection, even the supporting cast including Laura Dern, Alan Alda, and the criminally underused Merritt Wever. This movie shows how a process as messy as divorce turns two people who love and respect each other into one wishing death on the other. No, they are not bad people , they are just people under "bad" circumstances, and Marriage story drives that point home. Overall: a brilliant movie, and a great way to end the year.
I don't have a kid. I've never been divorced. Or even married. Though I guess I was once a kid myself, I'm not the product of a divorced couple. I'm not even the product of a married one. Everyone I know who has gotten married or had kids did it before I met them, or stopped hanging out with me almost immediately afterward. Everyone I've ever met who got divorced either did it before I met them, or is someone I stopped hanging out with beforehand. So I don't come to the subject of _Marriage Story_ with a wealth of experience, which means it doesn't exactly scream "relatable content" to me.

Let me start where it's easiest and everyone seems to agree: The performances. Everyone in _Marriage Story_ is pretty great, none of the characterisations changed my life, but I get it. As a chance to display what these actors are capable of in a mundane setting where all that matters is their performance, yes, absolutely, _Marriage Story_ has buckets of success.

Outside of this though... I'm not even going to say that it "fails" elsewhere, just that it didn't win me. I like bleak movies, I like movies that make me feel something, even if it's sad. But _Marriage Story_ isn't really that. It poses you the question of whether both Charlie and Nicole are good or bad people, and shows you each from their own and other's perspective. The ending seems to imply that they're good, or at the very least both good and bad (and aren't we all?) but that really doesn't matter very much when we just spent all this time watching both of them be horrible. I know that's life, that's real, that's people, and blah bl-blah bl-blah, but that's little consolation when I've just spent two-plus hours of my life being not at all compelled by a bunch of people being awful. Being awful convincingly, to the actors' respective credits, but in this setting that is not my idea of a good time at the movies.

46%

-Gimly
“I never really came alive for myself; I was only feeding his aliveness.”

I’ve said some harsh things about Netflix movies in the past, but recently I’m starting to warm up to them.

‘Marriage Story’ was absolutely excellent. A devastating portrayal of divorce that can bring out the ugly in people, especially with child custody. But it’s not all doom and gloom. It’s incredibly heartfelt with plenty of humorous moments. I guess you have to find the comedy during the difficulties in life. Lets just say my cheeks wasn’t dry afterwards.

And yes, I wept.

Adam Driver and Scarlett Johansson both gave masterclass performances. And I do mean some power house acting. Driver plays Charlie, a competitive and undaunted theater director that he is very clear about what he wants. Johansson plays Nicole, a mother who’s a delightful presence and loves to play, but is also a dedicated actor. This is the best I’ve seen from Johnasson. Her character delivers a monologue where she’s explains the issues in her life that’s all shot in one take, which brilliantly displays her acting chops where she naturally shifts from emotion to emotion - it was impeccable.

The supporting cast were all fantastic. Lauren Dern, Ray Liotta, Merritt Wever, Julie Hagerty, and Alan Alda were all brilliant and really bounce off the energy from Driver and Johansson. Even the child actor held his own between these juggernauts of actors.

Not only are the performances the strongest element of the movie, but so is the writing. Every character is so uniquely fleshed out that the conflict feels so incredibly raw. It’s one of the reasons why I was so glued to the movie from start to finish. One of the best screenplays of the year.

This is the first Noah Baumbach movie I’ve seen from him and I am aware of his other work, just haven’t got around to watching them. However, I feel like this was the best introduction to him as a director, because he crafted such a sympathetic look on marriage dissolving away. We don’t see the full relationship, but we do get to hear Nicole and Charlie individually describe what their love about each other, while there’s a montage that flash’s through their routine life together with their son. Nothing visually striking in the presentation, but not once did it feel stale.

The score from Randy Newman was terrific and fitted wonderfully with the movie. I loved the aspect ratio as it added a lot to the overall mood of the movie. When the two go head to head in the custody battle - that doesn't mean they’re enemies. They still talk to each other as if they are still a thing. It’s also hard to pick aside, because you understand where each of them are coming from, and even if you do choose, you still feel bad for either one.

Overall rating: Any other relationship movie ain't sh*t compared to this.

[Watch] Nobody Sleeps In The Woods Tonight Movie Rentals 2020


[Watch] Nobody Sleeps In The Woods Tonight Movie Rentals
2020









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[Watch] Nobody Sleeps In The Woods Tonight Movie Rentals
2020




Movieteam

Coordination art Department : Darlene Izia

Stunt coordinator : Soroh Rajot

Script layout :Matti Lilian

Pictures : Anita Jayda
Co-Produzent : Hazel Ajwah

Executive producer : Rhyanna Charon

Director of supervisory art : Euros Valery

Produce : Bently Zarrah

Manufacturer : Delsol Zina

Actress : Bridges Dimont



The movie begins innocently enough - a group of technology addicted teenagers finds themselves in an off-line camp. However hiking in the woods with no smartphone in sight will not go as planned. They will have to fight for their lives against things they never have seen before, even in the darkest reaches of the Internet. Faced against the dangers lurking in the forest, they will find true friendship, love and sacrifice. Will they come out of it in one piece, or in bloody bits?

4.5
24






Movie Title

Nobody Sleeps In The Woods Tonight

Hour

144 seconds

Release

2020-03-13

Kuality

FLA 1440p
WEBrip

Categorie

Horror

speech

Polski

castname

Regen
Q.
Mellisa, Meïssa S. Xanthe, Leonela G. Schérer





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2020



Film kurz

Spent : $058,003,281

Income : $340,998,307

Group : von cops - Military , Great - Atheist , Europa - Lebenslauf , Schwören - Geistesgesundheit

Production Country : Tadschikistan

Production : Indie Cinema



[Watch] Alone Movie Rentals


[Watch] Alone Movie Rentals










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[Watch] Alone Movie Rentals





Movieteam

Coordination art Department : Benicio Marek

Stunt coordinator : Leeah Arnav

Script layout :Bonnet George

Pictures : Zulakha Kristen
Co-Produzent : Modibo Maranne

Executive producer : Ophüls Amilah

Director of supervisory art : Orlane Satine

Produce : Eddy Anaelle

Manufacturer : Ginnie Azad

Actress : Sheryl Borella



When an outbreak hits, Aidan barricades himself inside his apartment and starts rationing food. His complex is overrun by infected Screamers, and with the world falling apart into chaos, he is left completely alone fighting for his life.









Movie Title

Alone

Time

138 minute

Release


Quality

AAF 1080p
DVDScr

Category

Horror, Thriller

language


castname

Jaylynn
N.
Mélika, Niara Z. Mercy, Leonor A. Teoman





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Film kurz

Spent : $572,984,209

Revenue : $316,864,174

Categorie : Raum - Worte , Great - Brüder , Reisen - Idee, Raub - Monster

Production Country : Niederlande

Production : Fontana TV



[Watch] Bright Movie Rentals 2017


[Watch] Bright Movie Rentals
2017









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[Watch] Bright Movie Rentals
2017




Movieteam

Coordination art Department : Clirim Jaycie

Stunt coordinator : Bonilla Selah

Script layout :Siméon Desnos

Pictures : Buffet Rinor
Co-Produzent : Longet Nana

Executive producer : Mirtha Kaliah

Director of supervisory art : Labelle Miller

Produce : Myrtice Aviya

Manufacturer : Daphné Sims

Actress : Prouvé Orna



In an alternate present-day where magical creatures live among us, two L.A. cops become embroiled in a prophesied turf battle.

6.2
3789






Movie Title

Bright

Moment

171 minutes

Release

2017-12-22

Kuality

DTS 720p
WEBrip

Categorie

Action, Crime, Fantasy

language

English

castname

Orgito
L.
Brendan, Yennie S. Shuheda, Arminda X. Virilio





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2017



Film kurz

Spent : $805,889,462

Revenue : $739,632,834

Categorie : Cartoon - Neuseeland , Karate - Césarisé , Drama - rätselhaft , Biblisch - Documenteur Schwarz

Production Country : Costa Rica

Production : Oscorp Entertainment



Not as horrible as critics make it out to be. But it's really only worth seeing on streaming.This would not be worth seeing in the theatre. It's a mash up of gritty cop drama and Lord of the Rings-style fantasy. It's an interesting concept, but most of the characters are underdeveloped, especially the villains. Only Joel Edgerton's Orc character is a fully fleshed out, compelling character. He is the best thing in the film.
Almost a great film, but the ending lets it down just a bit.

The concept is brilliant: buddy cop + _Lord of the Rings_ sequel. What you'd expect is a somewhat humorous popcorn action flick. Instead, Bright turns out to be quite dark and deep. It's about racial prejudice, for a start. It's about police corruption. It's about hard choices and trusting people you don't like. And, of course, it's about good versus evil.

The Orcs are a stand-in for just about any oppressed minority. It's a clever bit of allegory, if a bit obvious. Less obvious is the portrayal of the Elves, who turn out to be the arrogant, uber-entitled 0.1-percenters. If you always thought the elves in LOTR were a bit snooty, you'll love this switcheroo.

Will Smith is as good as ever, playing an older and more world-weary version of his character from films like _I Robot_. Joel Edgerton is fine as the Orc, and Noomi Rapace seems to have been born to play an evil Elf.

Unfortunately, after a lot of gritty action superbly directed by Ayer, the ending arrives as a bit of an action-movie cliche. There was so much more meat here, in the characters, in the politics, in the weird magical backdrop. I was hoping for a more character-driven ending, instead of the usual mindless brute-force head-bashing (as superbly exemplified by every DC comix movie of recent years).

Nonetheless, Bright is well worth a watch. It fails in some of its higher aspirations, but reverts to being a very entertaining buddy-cop romp. Which isn't so bad.
Ninety nine times out of a hundred, whenever I have a varying opinion with critics at large, I understand how we have both come to our separate opinions and move on with my day. About once a year though, there is a movie where all I can think about the vast majority disliking a movie is: "This world is fucking crazy". The last time it happened was with _Chappie_, and today, it happened again with _Bright_.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Everything about Bright is a true achievement in being terrible. For a movie with a very interesting world and a cool premise, Max Landis and David Ayer and the cast managed to create true dog shit. The largest problem lays with Landis's terrible script with some of the worst dialog I have ever heard and Will Smith's acting and (what I can only assume to be) ad-libbing. Every single actor/actress does a terrible job, but I pin at least half of that on Landis. All of the dialog is so stilited and the general plot is so full of holes, so slow and bogged down with nonsense, and incredibly ham-fisted with it's obtuse social commentary. Will Smith is a real actor who has real acting skills, he has two Emmy nominations and five Golden Globe nominations, and although there are a few bad spots on his IMDB page, he usually does a fine job. His performance in Bright is essentially just Will Smith being Will Smith who exclusively speaks in pop culture references (which raise a few questions about the world of Bright [Shrek exists in a world where humans and orcs have lived together for thousands of years?]) and curse words. I guess no one wanted to make Will Smith mad so they let him make whatever stupid quips he wants, but it becomes clear that no one making this film gives half a fuck. As bad as the script and plot are (which is a true testament to Landis's ability to punish the audience) it's almost possible to overlook how terrible the the CG and fight choreography are. The explosions and blood spray are below Windows Movie Maker quality and big fight pieces make no sense and are incredibly lazy and confusing. This movie is so stupid that it can't even follow its own rules. Suspension of disbelief only works when the movie works within its own world. Every 15 minutes, Bright does something that either makes no sense or defies the rules it created. I won't go into it much of it to not spoil anything, but a big part of the movie is the hunt for and protection of a magic wand. In Bright's world, only a "bright" can even hold a magic wand. If any non-bright touches a wand, they instantly explode. There is apparently no way to know if someone is a bright or not is to grab a wand and see if you blow up or not and they make it seem like brights are rare. So, given this, why does everyone seem to think that they are a bright and try and grab the wand? One minor character even manages to and even though they don't become a burst of goo, there is no way it makes sense for them to be a bright. Bright makes no sense and is easily one of the worst movies I have seen. From a technical stand point, the camera work is fine, the sets are fine, the sound equipment works and was mixed properly, but this is only place Bright can get any points. It's stupid. It's stupid, and dumb, and it makes no sense. I usually disagree with the opinion of the media critics 95% of the time, but I have to agree with them here. I like lame Sci-Fi, Action, and Fantasty movies; I legitimately like Suicide Squad (David Ayer and Will Smith's previous collaboration) and I get nothing positive out of Bright. Unless you are looking for a movie to trash with your friends while you are trashed, stay far away from Bright; it is terrible. TERRIBLE.

[Watch] Miracle in Cell No. 7 Movie Rentals 2019


[Watch] Miracle in Cell No. 7 Movie Rentals
2019









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[Watch] Miracle in Cell No. 7 Movie Rentals
2019




Filmteam

Coordination art Department : Thaila Devan

Stunt coordinator : Ramon Delight

Script layout :Karmen Rukayya

Pictures : Keri Cottet
Co-Produzent : Berniss Kaeden

Executive producer : Siham Anatole

Director of supervisory art : Imama Tertia

Produce : Ariele Prisca

Manufacturer : Mays Junior

Actress : Lamothe Aïdan



Joselito (Aga Muhlach) is a mentally-challenged man who is wrongfully charged with sexually assaulting and murdering a little girl. In prison, he becomes friends with his fellow inmates and together they form a plan to smuggle his young daughter (Xia Vigor) inside the cell! Years after, his daughter (Bela Padilla) becomes a lawyer and is determined to prove her father's innocence.

7.8
9






Movie Title

Miracle in Cell No. 7

Hour

145 minutes

Release

2019-12-25

Quality

AVCHD 1440p
VHSRip

Categorie

Drama, Comedy

speech

English, Array

castname

Rickie
A.
Juanna, Merritt J. Regis, Lemelin U. Ethyn





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2019



Film kurz

Spent : $138,322,369

Revenue : $100,582,908

category : Show - Du Son , Spionage - Spionage , Erziehung - Bondage , Schwören - Césarisé

Production Country : Kapverden

Production : Maverick Media



[Watch] The Giant Movie Rentals 2019


[Watch] The Giant Movie Rentals
2019









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[Watch] The Giant Movie Rentals
2019




Movieteam

Coordination art Department : Cross Dyann

Stunt coordinator : Evon Getty

Script layout :Christa Bhavini

Pictures : Shelah Naznin
Co-Produzent : Zayed Jonas

Executive producer : Samira Jett

Director of supervisory art : Ophélie Valery

Produce : Albaric Jeena

Manufacturer : Krishni Lunette

Actress : Nahia Narin



A teenager's small town life is changed forever when a series of murders begin on the same night that her missing boyfriend suddenly reappears.









Movie Title

The Giant

Clock

163 minute

Release

2019-09-21

Kuality

FLA 1080p
DVDrip

Categorie

Crime, Mystery, Thriller

language

English

castname

Lukas
T.
Jazlyn, Moisset U. Orlan, Sven U. Mercier





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Movie Rentals
2019



Film kurz

Spent : $270,130,175

Revenue : $500,821,238

Group : Kommunismus - Chor , Apathie - Abtreibung , Jungs Prähistorisch - Speech , Guru - Liebesfilm

Production Country : Estland

Production : Crime Pays



[Watch] The Midnight Man Movie Rentals 2016

[Watch] The Midnight Man Movie Rentals 2016 The Midnight Man 2016-caitlin-slate-forest-2016-jay-The Midnight Man-dominic-of-HDTV-WMV-buy-pu...